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Properly, you analyze to enjoy, but it's equally true that to analyze with any discrimination, you have to have enjoyed already, and I think that the best reason to hear a story read is that it should stimulate that primary enjoyment.
I realize that a certain amount of this what-is-the-significance has to go on, but I think something has gone wrong in the process when, for so many students, the story becomes simply a problem to be solved, something which you evaporate to get Instant Enlightenment.
A story really isn't any good unless it successfully resists paraphrase, unless it hangs on and expands in the mind.
Critics point to the disastrous detour into the dark woods of error, for example, as a traditional theme in Christian exempla, from Dante's Divine Comedy to Bunyan's Pilgrim's Progress.
The Misfit himself typifies the existential despair and guilt of the fallen sinner.
I do think, though, that like the Greeks you should know what is going to happen in this story so that any element of suspense in it will be transferred from its surface to its interior.
I would be most happy if you had already read it, happier still if you knew it well, but since experience has taught me to keep my expectations along these lines modest, I'll tell you that this is the story of a family of six which, on its way driving to Florida, gets wiped out by an escaped convict who calls himself the Misfit.
The family plans to travel on vacation from their home in Georgia to the state of Florida.
Alarmed by newspaper accounts of an escaped convict, The Misfit, the grandmother attempts to persuade the family to change their vacation destination away from the vicinity of the fugitive.
Critical Reception "A Good Man Is Hard to Find" is regarded as one of O'Connor's best stories and has drawn much critical attention.
Most discussions of "A Good Man Is Hard to Find" have focused on the story's extreme violence.