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Curtis is to the current horror film glut what Christopher Lee was to the last one-or Boris Karloff was in the 1930s.She was the star of "Halloween," she also starred in Carpenter's disappointing "The Fog" and the utterly inept "Prom Night," and now here she is again. The classic horror films of the 1930s appealed to the intelligence of its audiences, to their sense of humor and irony.But "Halloween," itself one of the year's best films, changed all that.
Myers famously moves very slowly, can take a beating (including bullets!
), disappears into shadows, and remains unnoticed even in broad daylight.
he camera slowly zooms in on a glowing jack-o-lantern face during the opening credits, while director John Carpenter’s self-composed synthesizer music presides.
It can be interpreted as hokey or representational of the manner in which audiences are intended to digest the coming frights.
Somewhere on the train is a vicious killer with a knife. The use of the train itself is bizarre, for that matter; since the only places you can go on a moving train are forward and back, how can the killer pass undetected? The Ebert Club is our hand-picked selection of content for Ebert fans.
Are his murders inspired by the unspeakable experience he had as a fraternity freshman? You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie.
But most importantly, he keeps coming back – especially when Laurie drops her guard.
The camera is a voyeur, encouraging the audience to join in on the invasive eavesdropping.
They found two: It featured attacks on young girls, and it had a lot of knives and blood in it.
These two exploitable elements have been in the forefront of the boom in horror movies during the last two years, and they are, of course, present in "Terror Train."But "Terror Train" is a curious hybrid that doesn't seem to know just what it wants to be.