Creative Writing For Dummies

Creative Writing For Dummies-86
No matter where you start, remember: your novel must begin with trouble. The stakes must be clear if you want the reader to care.While you don’t necessarily have to include conflict in the first page of a novel, it doesn’t hurt. Often, there will be more than one thing at stake, more than one big risk.

No matter where you start, remember: your novel must begin with trouble. The stakes must be clear if you want the reader to care.While you don’t necessarily have to include conflict in the first page of a novel, it doesn’t hurt. Often, there will be more than one thing at stake, more than one big risk.After writing four novels with female protagonists, I chose to write The Marriage Pact from the point of view of Jake, a marriage therapist who can’t seem to get a handle on his own marriage.

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(And he or she must be flawed in order to be realistic.) Emma Bovary is deeply flawed, but in the end, we care what happens to her as she hurtles toward self-destruction.

Flaubert isn’t easy on Emma, but he portrays her in all of her complexity — her ambition, her passion, her rapacious desire for status and luxury.

Every great novel is character-driven; your protagonist must be a character worth caring about.

If you’re having difficulty separating yourself from your protagonist, consider making the protagonist different from you in some significant way.

I tend to write novels in first person, because I love the intimacy of first person and it is the point of view that allows me to most deeply inhabit the protagonist’s voice.

Creative Writing For Dummies

For short stories, however, I often use the limited third person.

Don’t be afraid to write a paragraph here, a page there.

Not everything has to be a full-fledged chapter in the early stages of novel-writing.

Not for the completion of the novel, but for the first fifty pages.

Set a second deadline, far enough in the future, for the completion of the second fifty pages.

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