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Prose Week 1: Writing anew: David Foster Wallace Week 2: Abstract or real: Hemingway and Kureshi Week 3: True character: Lorrie Moore Week 4: Finding voice: David Szalay Week 5: Plotting: Alice Munro Poetry Week 6: Poetic logic: Jack Underwood, Sara Peters Week 7: Making metaphors: Frank O’Hara, Liz Berry Week 8: Soundscapes: Louis Macniece, T. Eliot, Dorothea Lasky Week 9: Form and line: Elizabeth Bishop, Andrew Macmillan, Ocean Vuong Week 10: Redrafts and Publishing Please note that if you are attending the five week Saturday class this will replicate the structure of the weekly course, but with two classes spread over each Saturday slot.
• Develop a writer’s ear for words that ring false and those that sound true, which will in turn inform your capacity to self-edit.
• Learn about fiction and poetry publishing and how to get your work in print.
£295 We are committed to providing reasonable teaching adjustments for students with disabilities that may impact on their learning experience.
Please be advised that in order to provide an assessment and plan appropriate support we require as much notice as possible and, in some circumstances, up to 3 months.
• Receive peer feedback on your own work at least twice, which will help with redrafting.
• Cultivate imaginative writing skills that can be transferred to other fields of work.
We offer a dynamic range of undergraduate and postgraduate programmes, retaining a strong research focus in our postdoctoral community of academics.
Whether you are interested in classical literature and/or linguistics, creative writing and contemporary fiction, this wide-ranging and interdisciplinary department has something to offer for all.
We will study writing techniques such as how to craft character, create a sincere voice, write surprising plots and original points of view. Eliot, Elizabeth Bishop, and contemporary poets like Liz Berry, Ocean Vuong, and Andrew Mc Millan.
The last five weeks of the course will be dedicated to writing poetry, examining the workings of poetic logic, metaphor, form, and sound. Throughout the course, the first half of each seminar will look at an extract of published prose or poetry in order to get a strong feel for writing techniques—so vital to developing your own work.