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Overtime the attitude and attributes of Christ the judge changed.He was fully dressed; later on His right side was uncovered so as to display his wounds; later still sword and lily, symbols of justice and mercy, protrude from His mouth.Antoine Caron’s painting of the Last Judgment (Ringling Museum of Art, 15th century) is intended to have the same meaning.
He was perceived as a giant whose mighty right arm is lifted in a gesture of damnation so broad and universal as to suggest he will destroy all of creation, Heaven and Earth alike.
The choirs of Heaven surrounding him pulse and anxiety and awe.
Michelangelo’s desire to become an artist was initially opposed by his father, to be a practicing artist was then considered beneath the station of a member of the gentry.
As a result of his talent, he was welcomed into the home of the Medici family where he eventually apprenticed in 1488 for a three-year term to Domenico Ghirlandaio.
From the northern part of Europe, an artist by the name of Antoine Caron painted his version of the Last Judgment, with oil on panel, displayed at the Ringling Museum of Art (15th century).
Each of these paintings are examples of the growth of artistic expression in Europe during the 15th century.
This tradition of the church was established by Michelangelo, showing how the influence of Italian art made its way to the northern part of the country. The style of the painting compared to Michelangelo’s is similar due to the fact that Antoine was also a Mannerist.
Coming from the northern part of Europe, many artists, like Antoine, became increasingly entrances with myriad details of the visible world and better and better at capturing them.
He was known as one of the few significant painters in France during the reign of Charles IX and Henry III. Like Michelangelo, Antoine also commissioned work for the Medici family.
The Last Judgment was a religious painting first completed by Michelangelo on the altar wall of the Sistine Chapel in 1534-1541.