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Franzen and Lalami’s prose isn’t written in patois.
Pope argues that humanity should make a study of itself, and not debase the spiritual essence of the world with earthly science, since the two are diametrically opposed to one another: man should "presume not God to scan".
As the Enlightenment movement was gathering strength in the early 18th century, various challenges to established religious faith were launched.
And if you are inclined to blame the author for his or her absence from the process, bear in mind: To read a novel in its audiobook version, the author is routinely made to audition for the job of narrating it.
If prose is being produced and read poorly, let’s take our cues from poetry.
A concluding "Universal Prayer" consisting of 13 four-line stanzas was published in 1738.
In 1926, the year he died, Rainer Maria Rilke wrote to an acquaintance about a new device that he believed could change the way we appreciated poetry: the phonograph, or as he called it, the “talking-machine.” In the letter, Rilke lamented that the device was seldom used for recorded speech, but he envisioned a future in which we would read poems while simultaneously listening to a recording of the poem — but not just any recording.According to his friend and editor, William Warburton, Pope intended to structure the work as follows: The four epistles which had already been published would have comprised the first book.The second book was to contain another set of epistles, which in contrast to the first book would focus on subjects such as human reason, the practical and impractical aspects of varied arts and sciences, human talent, the use of learning, the science of the world, and wit, together with "a satire against the misapplication" of those same disciplines.In the audiobook version of Laila Lalami’s “The Moor’s Account,” when Spanish explorers set foot in the New World and are speaking Spanish to one another, they do so with Spanish-accented English so thick it sounds like something out of a Cheech and Chong movie.This is the platonic ideal of trashing a writer’s work, and treats the listener like a total moron in the bargain.“The prerequisite,” Rilke explained, “for such an exercise would in any case be that the talking-machine had received the sound picture of the verse sequence from the poet’s own lips and not indirectly by way, say, of the actor.” The actor, however talented, must be kept from reading an author’s work, Rilke insisted, for “he almost always errs and goes astray.”These days, Rilke’s dreams for the talking machine have turned into the nightmare in which we now live.The vast majority of audiobooks are read by actors, something I find not just disappointing but appalling. Crazy not because the accent is bad (it’s terrific).Because man cannot know God's purposes, he cannot complain about his position in the Great Chain of Being (ll.33-34) and must accept that "Whatever IS, is RIGHT" (l.292), a theme that was satirized by Voltaire in Candide (1759).More than any other work, it popularized optimistic philosophy throughout England and the rest of Europe.Pope's Essay on Man and Moral Epistles were designed to be the parts of a system of ethics which he wanted to express in poetry.Moral Epistles has been known under various other names including Ethic Epistles and Moral Essays.